AT THE FRONT LINE. UKRAINIAN ART, 2013-2019/ LA LÍNEA DEL FRENTE. EL ARTE UCRANIANO, 2013-2019

AT THE FRONT LINE. UKRAINIAN ART, 2013-2019/ LA LÍNEA DEL FRENTE. EL ARTE UCRANIANO, 2013-2019

Editorial:
DIECISIETE
Materia
Exposiciones colectivas
ISBN:
978-607-98039-4-0
Páginas:
135
Encuadernación:
Rústica
$250.00 MXN
IVA incluido
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The catalog of the exhibition “At the Front Line. Ukrainian Art, 2013-2019” speaks about the turbulent political and social situation in Ukraine of the last seven years, including such events as the Revolution of Dignity, the annexation of Crimea, and the war with Russia. It focuses on the materials of 13 Ukrainian artists’ exhibition at the National Museum of Cultures in Mexico City from September 2019 to February 2020. This exhibition was part of a larger interdisciplinary project realized in Mexico City that also included a series of panel discussions with the participation of Ukrainian, Mexican, and British researchers and artists at the Museum of Memory and Tolerance and eight documentary screenings at the National Cineteca. This trilingual publication (English-Spanish-Ukrainian) documents the first large-scale project in Latin America which looked at the contemporary Ukrainian art scene and the situation in the country. The exhibition was further presented at Oseredok Ukrainian Cultural and Educational Centre in Winnipeg, Canada. Participating artists: Piotr Armianovski, Yevgenia Belorusets, Svitlana Biedarieva, Zhanna Kadyrova, Yuri Koval, Roman Mikhaylov, Roman Minin, Olia Mykhailiuk, Lada Nakonechna, Yevgen Nikiforov, Kristina Norman, Mykola Ridnyi, Anton Popernyak, and works from the collection of the Izolyatsia Platform for Cultural Initiatives (Daniel Buren, Leandro Erlich, and Pascale Marthine Tayou), César Martínez Silva, and Paola Paz Yee. Texts by Yevgenia Belorusets, Svitlana Biedarieva, Uilleam Blacker, Hanna Deikun, Oleksandra Gaidai, Olesya Khromeychuk, Ricardo Macias Cardoso, César Martínez Silva, Jean Meyer, Olia Mykhailiuk, Maryna Rabinovych, Vsevolod Samokhvalov, Paola Paz Yee, and Mykola Ridnyi.